Boxcar Children and Other Books That Shaped a 70’s Childhood

By: JANA GREENE

Things are pretty heavy in the world right now, so I thought I’d write some fluff. 

Thanks for your readership!

By: JANA GREENE

Most of the favorite books I read in childhood featured children fleeing into the woods, being rejected by parents, taming wild beasts, and falling in love with poetry (not necessarily in that order.) 

In third grade, I wanted to be one of the Boxcar Children (written by Gertrude Chandler Warner.) The plot is thus: Four children orphaned by both parents go to live with their grandparents, who resent the absolute shite out of them for having the nerve to be parentless. So, the kids run away and end up living out of an abandoned train boxcar. Sometimes the adventure was begging for food, sounded kind of fun to my naive, privileged brain. They bathed in rivers, dodged rabid animals, stayed up as late as they wanted, and stole honey from beehives (wait…that’s Winnie the Pooh.) You get the picture. So obsessed with the Boxcar Children was I, I would go into the woods behind my elementary school and pretend to be orphaned and outdoorsey. I would build a “boxcar” out of sticks and boards and the random tarp in the woods that – now as an adult – makes me wonder if that tarp had been used in a crime of some sort. Oh well….it made a great roof for my boxcar.

For the best fleeing-into-the-woods pick, we have “My Side of the Mountain,” by Jean George. It is the story of 12-year-old boy who intensely dislikes living in his parents’ cramped New York CIty apartment with his eight brothers and sisters, and can you even blame him? He decides to run away to his great-grandfather’s abandoned farm in the Catskill Mountains to live in the wilderness. Five out of five stars, so good I may read it again at 55. This boy had the life. He acquired a freaking falcon just by gaining the bird’s trust, and catches a weasel and names him “The Baron” because of the “regal way he moves about.” I wanted a weasel named “The Baron.” Just a boy (who was my hero) who lives in the trees, catches fish and smokes the meat, and attains Snow White-level rapport with the animal kingdom. Bliss.

Next up, we have anything by Dr. Seuss. Just pick one. His books were silly for silliness’ sake and I loved it. Utter nonsense, just the way I like it. I went hard and heavy on the Dr. Sues with my children when they were little. I can still recite “One Fish Two Fish” verbatim, whether I want to or not.We were hoppin’ on Pop, hearing a Who, and hanging with the Sneetches. Classic. On one occasion one of them asked, “If Snitches get stitches, do Sneeches get leeches?” (I still don’t know, he never said.)

Then there was Shel Silverstein. Oh Shel. I wanted to grow up to marry the poet behind “Where the Sidewalk Ends.” I wanted to BE a poet and write about pertinent kid topics like he did. Classics such as “The Sharp-Toothed Snail” that bites your finger if you pick your nose, being eaten by a “Boa Constrictor” which takes you on ablow-by-blow account of being eaten by a snake, and “It’s Dark in Here,” about being inside of a lion. Quality prose. 

And for those coming-of-age stories, Judy Blume was my go-to. To be a scandalous ten-year old, you must have read Judy. Boobs, periods, or practicing kissing boys were always mentioned, thus giving us the thrill of our training-bra lives. She captured universal growing-up angst better than anyone. Who can forget “We MUST, we MUST, we MUST INCREASE OUR BUST!” This is before any of us had started developing and realized that getting actual boobs and periods were really a tremendous bummer and horrible inconvenience, and none of us enjoyed having when we got them. Judy made it sound much more fun than it actually was. Still a little salty at her about this.

In 1977, “Bridge to Terabithia” by Katherine Patterson came out. There was an immediately a waiting list at the Quail Valley Elementary library, and it did not disappoint when it was finally in myhands. Picture it: Two best friends create an imaginary world called Terabithia, which they escape to in order to manage trauma. When tragedy strikes, they must rely on their friendship to work through grief. This was my introduction to fantasy worlds, and the realization that you can make your own (and you may as well, this place is bonkers.) Another fine example of children “fleeing to the woods.” It was also the book that introduced me to crying while reading. I really felt I kew these kids – who made their own world when this one hurt them. I filed that away in my little survivalist head and it grew into a more vivid imagination.

Which brings me to the series I read as a tween in 5th grade that I plucked right off of the elementary school library shelves, I sh*t you not. HOW? No banned books for us! I’m talking about “Flowers in the Attic” by V.C. Andrews. Now y’all aint gonna BELIEVE this, but here’s the plot: A grandmother locks a 12 year old girl and her 14-year-old brother in an attic. Dripping in wealth but low on compassion, the villainous grandmother decides it’s a good time to break it to the children that one of them is a product of incest. And that’s not even the worst thing. She calls the children the “Devil’s spawn” and is obsessed with the idea of incest, forbidding all contact between opposite sexes. The children are not allowed to make any noise, only in the attic are they free to play because their grandfather will kill them if he knows they are being hidden there. Yikes. (There was a waiting list for that series too. And yes, it’s a series.)

Who was monitoring our reading material? No one, that’s who. It was the 70’s. 

I don’t have the attention span to read like I did when I was younger. Too much thinky-ness about “real” issues, but I sure would like to lose myself in a book again! In the meantime, I think I’m going to find some woods to flee to today, for old time’s sake.